HP5 has wonderful tonality under the right light (sunny/directional) It's has less contrast than Tri-X and the grain is tighter too. I'll probably stick with Tri-X and FP4 for now, both seem to handle diafine better and is suitable for almost every lighting condition.
FA's peer crit, where we have to tell our story to the whole class. Nerve-wracking if you're doing it alone, like Dhikong...good thing I'm in a group. Here you can see how poorly HP5 souped in diafine reacts to artificial lighting. Very low contrast, and compensating for it in post exaggerates the grain. Tri-X would be better in situations like this.
Definitely not the right combo for flat lighting..
Back to Tri-X..wonderful :)
Thumbnails for our FYP. Acap, Adit and Ghazi handling the bulk of the drawings..lucky to have them cause I can't draw cartoons to save my life.
Maybe I really do need a 50 :) A planar would be nice..
My M6 is starting to act up, problem with the rewind knob where the film advance will jam whenever I reach midroll. It seems others have faced this problem as well, and there are diy instructions on how to fix this. Don't know if I would it myself..might send it to Solms and get an MP viewfinder upgrade as well.
Makes for some interesting scans though..
And that's it. I'll probably continue with my M8 for now..at least until I figure out what to do with the M6.